Photoshop Update: Select Subject

Select Subject is powered by Adobe Sensei and lets you get started with your selections faster than ever before. Select Subject automatically selects the prominent subjects in the image with one click. You can then refine the selection using other selection tools.

It’s available in all the places you start selections:

  • Select > Subject.+ 
  • Select the Subject button in the Quick Selection tool and Magic Wand options bar.+ 
  • Select the Subject button in the Select & Mask workspace options bar while using the Quick Selection tool.+ 

The Select Subject command lets you select the most prominent subject in an image in a single click. Powered by advanced machine learning technology, Select Subject is trained to identify a variety of objects in an image—people, animals, vehicles, toys, and more.

Access Select Subject in one of the following ways in Photoshop:

  • While editing an image, choose Select > Subject.
  • While using the Quick Selection or Magic Wand tools, click Select Subject in the options bar.
  • While using the Quick Selection tool in the Select & Mask workspace, click Select Subject in the options bar.

Select Subject automatically selects the prominent subjects in the image. You can then refine the selection using other selection tools. For example, in the illustration above, use the Subtract From Selection option with another selection tool to remove the part of the sidewalk included in the automatic selection.

For more information on refining selections, see Adjust pixel selections.

 

 

 

*Article Credit:  Jerry Harris & Adobe Blog

Think Printing Photos Is Declining? Think Again…

The Pew Research Center reports that roughly three-quarters of Americans own a smartphone. In addition, 92% of young people 18 to 29 carry a cameraphone. A report by F/22 Consulting and Photo Imaging News, Expanding the U.S. Photo Printing Market,* estimates that Americans captured 1.2 trillion images in 2016.

In total, 85% were taken with smartphones. These captures translated to 176 million print orders as well as 8.2 billion printed units, including prints, wall art, photo books and personalized gifts. PrintingRise-PullQuote“The number and quality of photos captured today (especially on smartphones) is nothing short of staggering. And it’s a global phenomenon,” says the recently published analysis by Don Franz and Frank Baillargeon. “Mobile adoption, equally staggering advances in intelligent and automated photo management, and new mobile photo printing business models represent an unprecedented foundation for substantial and sustained growth of demand.”

What does this surge in digital capture mean for the photo printing industry? For companies on the front line of digital print fulfillment, the numbers are good.

Fujifilm North America Corporation

Fujifilm has been on the pioneering end of digital delivery since the late 1990s. “We were the first company to develop and implement a distribution fulfillment system that allowed consumers to order their prints online and pick them up in the store,” says Manny Almeida, president, Imaging Division, Fujifilm North America Corporation.

Fujifilm-output-2
© Fujifilm North America Corporation

“The U.S. market saw its peak in photo printing in 2003,” he says. “There were 860 million rolls of film sold that year, with an average of 27 prints per roll. That’s almost 19 billion prints. Today, the print market is certainly not that big. But the print category is still $1.5 billion, and the decline is beginning to plateau. At one time, prints were declining at a rate of 30% per year. Over the last year or two, it’s been declining at 3.5%. So it’s really starting to flatten out.

“Printing is different today,” adds Almeida. “There’s a myriad of personalized photo products; over 400 different products available from Fujifilm alone. So while orders for 4×6-inch prints are down, overall printing is up. We have higher value orders. An average order 15 years ago would be in the $8 to $9 range, today it’s around $2

“The important part for us at Fujifilm is that there is opportunity in photo printing. It’s not like it was 15 or 20 years ago. It’s a different opportunity but still a tremendous opportunity. People don’t necessarily want to print a whole bunch of 4×6 prints, but they want to create photo products such as wall décor and products they can give as gifts. The printing industry is about figuring out what consumers want and how they want it.”

*Article by Kim Brady from direporter.com and Expanding the U.S. Photo Printing Market, by F/22 Consulting and Photo Imaging News

Lensbaby Launch: 46mm Macro Filter Kit

Portland, OR - Lensbaby—makers of award-winning creative effects lenses, optics and accessories—announces the launch of their 46mm Macro Filter Kit. 

Capture minute details with creative flare while making unique close-up shots of botanicals, tiny life forms, delicious dishes and more with this set of +1, +2 and +4 close-up filters. 

This offering comes on the heels of the 46mm Filter Kit (which includes an 8-point Star Filter, 3-stop Neutral Density Filter and Circular Polarizer) that debuted in October 2017.

Lensbaby is broadening their product line to ensure photographers have the tools they need to keep pushing the limits of their creative freedom.

“Photographers see the world differently through Lensbaby lenses, in ways that open up a big world of creative possibilities,” said Lensbaby Chief Creative Officer and Co-Founder Craig Strong. “Our macro filter kit lets you experience this freedom in a new, up close and personal way.”   

The 46mm Macro Filter Kit is multi-coated to deliver the highest possible contrast and is compatible with the Sweet 35, Sweet 50, Sweet 80, Edge 50, Edge 80, Twist 60 and Creative Bokeh Optics. Simply screw the filter onto the front of your favorite Lensbaby for creativity on a tiny scale. To get even closer to your subject, stack two or three macro filters or combine with Lensbaby Macro Converters.  

Users can purchase the 46mm Macro Filter Kit for $49.95 at lensbaby.com or select Lensbaby-authorized retailers. 

 

About Lensbaby 

For over a decade Portland, Oregon-based Lensbaby has inspired and challenged photographers on their journey to finding their unique, visual voice. 

 Lensbaby makes award-winning, one-of-a-kind lenses, optics and accessories for risk-taking photographers who believe that photography is an expression of their soul. 

 Lensbaby provides instructional content through their educational hub, Lensbaby University and sells its products worldwide. For more information, visit www.lensbaby.com

 

*All wording & images are provided by Lensbaby

Crash Course: Blending Modes in Photoshop

Do you want to learn more about blending modes in Photoshop and be better able to edit your images with more control and precision? Jesús Ramirez of the Photoshop Training Channel is here to help with the crash course below. The video below is less than 10 minutes long, so it cannot cover all the blending modes in great detail. However, if you want additional information and have more free time, Ramirez also made a 41-minute video about blend modes.

What exactly is a blending mode? A blend mode basically takes the pixels of one layer and blends them with pixels from another layer. This results in different effects, sometimes ones dramatically different in appearance. How can you utilize blend modes to improve the look of your photos? Find out in the video below.

(Via Photoshop Training Channel) 

Superior Wide Angle (Nikon mount) Lens for under $300?

A number of months ago, Keith became frustrate with carrying a filter holder, numerous filters and the extra weight in his pack as a result of all the gear.  In an effort to pair down any unnecessary weight, he traded in his very expensive and heavy Nikon 14-24 for the Tokina 17 – 35.

You can read more about it in his post, Halo Effect.

We have just been made aware that as of the date of this post, Tokina had 4 refurbished 17-35’s with a Nikon mount.  We love this lens and consider it one of the sharpest we’ve ever used.  Don’t wait long and if you find that they are out of stock, check back at the Tokina site often.

Check it out here:  Tokina 17-35mm

Get Out In It!

 

Author:  Keith Briley

When Snowmageddon (that’s what we from the Charleston area call a few inches of snow when it hits the ground in our area) arrived, uncommon images within a very familiar scene started showing up in the ole’ social media feed. Upon viewing these stunning captures, we were reminded of the photographic opportunities that can be captured when Mother Nature decides to mix things up a little.

You’ve seen them; the massive, charcoal colored clouds forming rings high in the sky, producing the ominous but beautiful tornado below. The thunderstorm in the distance creating enough lightning to continually ignite the dark, night sky. Or, the crashing of the enormous ocean waves along the coast because an epic hurricane is on its way. All of these were obtained because the photographer chose to “get out in it”! They did their research and placed themselves in a safe position to acquire a capture that will wow the viewer.

It’s not every day that we have these opportunities, but when they do come along, the research, timing and effort can pay huge dividends. Everyone loves a good story. And, everyone loves a beautiful photograph. To combine the two can be rewarding on many levels. Not only do you now have the story to tell friends and family, but you very well may have created an image that can never be duplicated. In addition, the circumstances that existed while shooting the perfectly timed capture can be a once in a lifetime experience. Tell the story! Bring the viewer in! Express yourself as if the photograph didn’t exist, giving as much detail as possible in an attempt to place the viewer right beside you as you grabbed the shot. Before you know it, your photograph will come alive to the viewer allowing for an unexpected, emotional attachment.

“How does an emotional attachment from the viewer benefit my photograph?”, you might ask. It allows us the opportunity to share the experience. Not every living person will have the opportunity to personally feel and hear when a tornado forms over the plains. Nor, will everyone have the chance to watch the seas grow and churn with such anger and force. While having the urge to escape to a beautiful destination seen in many photographs but never had the chance to visit can be enticing, an anomaly by Mother Nature, never experienced in person, can be just as alluring.

Let’s not forget about you. Think about why you wanted to be there. There must have been something that created the desire to plan and execute the attempt to capture Mother Nature in rare form. Something that created a spark that eventually grew into a roaring flame of inspiration. Those sparks, as tiny as they may be in the beginning, can grow into a never ending appetite to fill the cup of creativity. The desire to capture something unique and jaw-dropping is in all of us. But, it’s not going to happen until you’ve experienced it. Until you get out in it.

 

Nikon Announces 180 – 400mm F/4E TC 1.4

Hey folks!

Nikon just announced this new telephoto lens and if you have a cool $12,399.95 laying around this might just be the lens for you!  Check out the press release below!

Nikon Announces New AF-S NIKKOR 180-400mm F/4E TC1.4 FL ED VR Super Telephoto Zoom

LAS VEGAS – Today at the Consumer Electronics Show (CES), Nikon Inc. announced the new AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR super-telephoto zoom lens, which is ideally suited for photographing sports and wildlife with astounding speed and clarity. This professional level FX-format lens is more versatile than ever, and has been updated with the newest NIKKOR lens technologies including Nikon’s first ever built-in teleconverter and an advanced optical formula to enhance performance and minimize weight.“This lens is a great example of how Nikon continues to push the boundaries of innovation and what’s possible with pro-level optics and high-end imaging equipment,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.

 

Popular Pro-Level Lens Gets Even More Versatile

This new NIKKOR lens is a professional super-telephoto zoom lens, which is even more versatile with an extended wide range of 180-400mm, and a constant f/4 aperture to easily isolate a subject from the sidelines, even in challenging light. This is also the first NIKKOR lens to include a built-in 1.4X teleconverter, allowing photographers to seamlessly swap to a 252-560mm1 (FX-format) focal range. The teleconverter is engaged at the flick of a switch, and is easily operated with a single finger while looking through the viewfinder. When used on the Nikon D500 and other DX-format DSLRs, the focal length is the equivalent of 270-600mm (378-840mm with teleconverter engaged).

Whether capturing fast-moving winter sports on the slopes or elusive wildlife at a distance, photographers can shoot with confidence from this high performance NIKKOR lens.  The new 180-400mm f/4 is optimized for high-speed capture, and features an electromagnetic diaphragm, helping to create smooth and consistent exposures while shooting high-speed bursts of images. What’s more, the AF tracking algorithm controlling the motor drive has been enhanced to increase tracking performance of fast moving subjects. When using cameras equipped with Nikon’s advanced 153-point AF system (D5, D500, D850), the outer row of AF points are activated as cross-type sensors to significantly enhance the AF coverage throughout the frame.2

 

Enhanced Performance with the Addition of New Technology

The lens now uses a fluorite element, which contributes to improved balance while minimizing weight. To further enhance handling and agility, the lens has adopted a new ball-bearing tripod collar ring to create a seamless transition from shooting horizontal to vertical composition.  The VR mechanism offers a normal and sports mode, with up to four stops3 of compensation to help create sharp images, even when handheld.

The lens construction includes the use of durable magnesium alloy for weight reduction, while the lens is also sealed against dust and moisture. A fluorine coating is also used to help repel water droplets and dirt.

The optical formula of the lens uses eight Extra Low Dispersion (ED) elements, doubling the amount of ED elements used by its predecessor, the NIKKOR 200-400mm. These help to provide extremely sharp and detailed images and 4K UHD / 1080p video, and is ideally mated to high resolution Nikon DSLR cameras.  Nikon’s exclusive Nano Crystal Coat is used to effectively suppress instances of ghosting and flare.

 

Price and Availability

The AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR lens will be available in March 2018 for a suggested retail price of $12,399.954. For more information on this NIKKOR lens and other Nikon products, please visit www.nikonusa.com.

Fresh Eyes & A Familiar Place

Are you itching for your next adventure or trip?  We are as well.  On a daily basis Keith is talking about us running away and photographing the mountains covered in snow.  This last month has been a very busy one for us.  We welcomed the editor of Landscape Photography Magazine, Dimitri Vasileiou to our home and hosted him for 4 days over Tiff’s birthday.

During his visit we had the opportunity to catch up, chat and talk shop about photography.  We also took him on a mini tour of the area which included the Angel Oak tree.

For those of you who have been to Charleston, the Angel Oak may have been on your list of places to see, or perhaps we took you there on a tour (although that’s not a common stop for us).  When we went there with Dimitri, we weren’t exactly excited about going there (just to be honest).  We’ve seen it a thousand times, and even more than that, we’ve seen it photographed from what seems like every angle.

That trip to the Angel Oak though was inspiring for one reason.  Tiff captured this image with this new perspective and it caused us to reassess the joy that can be had in the very familiar.

Recently Keith was chatting with a guest over how often he’s at the boneyard beach.  Watching Keith photography is inspiring because he never accepts the same old compositions and he’s always approaching the familiar with a new set of eyes.  He created Blush Of Dawn (shown here) out of a desire to challenge himself to see something new at this familiar location.

With the holidays surrounding us, you’ll likely be traveling to familiar places to be with friends and family during the season.   We want to challenge you to find your familiar places, step out and look at it with fresh eyes.  You never know, a piece of art might just be waiting for you to create it.

Inspiration: The Freedom To Create

Yesterday found us in downtown Charleston visiting our favorite art gallery.  While there, we were so inspired by a new artist who is using acrylic, oil, and car paint along with gold dusting to paint an acrylic sheet.  The depth, color, shifting of the story when the light transitions across it was absolutely inspiring.  So inspiring that Tiff wanted to come home, grab her paints and order an acrylic sheet.

The inspiration that comes from seeing the unique work of another painter or artist is a beautiful thing.  The possibilities of what you yourself could create, knowing that although you might use the same materials, your personal fingerprint will cause a created piece to be uniquely your own in its own right.   Therefore, inspiration is an empowering emotion in creative arts.

Does this also apply to photography?  It’s a question I asked myself when I woke up this morning.  Our cameras are virtually the same, with the only difference being the range of light and amount of information that can be recorded for a single image.  That being said, if we stood side by side, with the same camera, same focal length we would in fact create the same image.   Where is the artist fingerprint in this process?

We’ll find our fingerprint in what I believe are two areas:  location and post processing.  Both take patience, exploration and time.

Finding a new composition or location requires a commitment to travel (either 30 minutes from your house or 30 hours), study maps and then it all comes down strapping on your hiking boots.  With your gear on your back and struggling past any pre-visualization, approaching a scene with fresh eyes and looking for that which captures your attention is an important part to the process of finding your fingerprint.

Post processing.  We believe that post processing is the brush (literally) and the paint of the photographer.  Similar to painting and other artistic mediums there are rules to be aware of so that you can create more powerful imagery.  Processing on the computer can be a deeply rewarding process that can genuinely place your own unique fingerprint on a piece.  Similar to paint, if you invest the time into knowing the possibilities, techniques and add in a dash of your own “what if’s” magic can happen.   This is great art.

The trap that we can often fall into as photographers is imitation that robs our creativity.  If you’ve picked up any photography magazine in the last 2 years you’ll notice the holy grail of images is the wide angle shot, mountains in the far background and a clumping of flowers in your foreground.  When one well named photographer created this shot, it seemed a large number of photographers started chasing a similar composition.   While beautiful, there’s something left wanting.  There’s no originality, and if we are left without a unique fingerprint, are we merely imitation artists who excel in producing replicas?

These are tough questions, and to be quite honest they are topics we constantly toss around in our conversations as we quest for inspiration that leads to great work.   Our desire is to bring powerful imagery that evokes emotion, similar to the artwork that we saw yesterday in the gallery.  It caused us stand before the work, exclaim with excitement about a new element found in the piece, and share that appreciation together.  This is our ultimate goal for our photography.  That a single image, created well, birthed from our inspiration would uniquely touch someone in a powerful way.   We firmly believe that level of photography can only be created when your heart is poured out and “what if’s” have been answered.

Gear Trends: Necessary or Distraction?

It’s Thanksgiving week, and Black Friday ads, commercials, newspaper inserts and popups on our internet browser are all blaring the hottest gift ideas, discounts and deals.

This morning while in the office and fielding through emails we came across something that grabbed our attention.

Do ya’ll remember the Lytro that was introduced last fall as the first camera that records the light?  The technology that they have created allows you change the focus point and perspective of the pictures after the point of capture.  What this means is that if you’ve taken an image of a flower in the foreground and there’s a barn in the background, you can decide at a later time which you would like to be in focus.

Here’s the question we ask ourselves: “Is this cutting edge technology that will change the game, or is it simply a passing trend?”

Although the jury is still out on that question for the Lytro specifically, our eyebrows raised when we were directed to this website this morning to find that the regularly high priced item in question was reduced from $1,299.99 to $349.99 on this website.

In our opinion, at $349.00 this could be a really fun Christmas gift for yourself or your photographer.   What’s Christmas without gifting unnecessary techy toys?

Introducing: The Photography Workshop Company

Today we are very proud to announce the launch of our new company.

It’s all because of you, that we’re writing this blog post.  To every single person that has come out on tour with us since we started, who has written a review, and to those of you who told us you want to keep coming back and go other places, we’re personally directing this post to you.

You’ve asked us the question, “where else can we go” and we’re really excited to share our new adventure that was created with you in mind.

As ya’ll know we passionately love Alberta, Canada.  Not only did Tiff grow up there, but it’s one of the most breathtaking places on the planet.  We’re heading back in June, and we want to take you with us.  You’ll find this trip much reduced in price from the previous trips that we did in years past.  This is our game now, and we’re changing the rules.

Some things you’ll find that set us apart is that we’re doing away with financial penalties to those who travel alone and wish to room alone.    If you want to save a few dollars, we’ll see if we can pair you up with another guest and we’ll reduce your rate even further.

In addition you’ll also find fall foliage trips to the Blue Ridge, Charleston In Bloom, Spring Time In The Smokys and a Waterfall Chasing trip is in the works.

As always, spaces are limited so make your deposit to hold your place soon.  Also, stay tuned and make sure you sign up for the mailing list so you’ll be notified when new trips become available.

Again, we couldn’t have done this without you, so we want to hear your feedback.

 

Until Our Next Adventure,

Keith & Tiff

How Do I Make My Pictures Sharper?

Oh the frustration!  You just returned from an amazing adventure where you invested time, money and sleep to land the perfect shot, only to come home and realize your picture isn’t as sharp as what it could be.  Although it won’t make you feel better, this has happened to all of us.

Going back to the basics, we are going to cover some things Keith and I do in the field to get the sharpest images possible.

 

Sturdy Tripod

This can’t be stated enough.  A flimsy tripod that is difficult to set up is the perfect recipe for field frustration.  I (Tiffany) started my photographic journey with a Manfrotto tripod and a pistol grip ball head.   When I moved to Fujifilm and a mirrorless system, I didn’t have the heavy weight of a Nikon and so I was able to move down in the weight of my tripod and still achieve a strong stabilization.  Currently I now use the Slik Lite Series.

Keith on the other hand is shooting with a Nikon D810 and with the weight of that system he needs a tripod that can really stand strong.  He has an RRS tripod.

Over our time photographing, and much of that time being spent in harsh conditions with ocean water tearing up our tripod, we can’t stress this enough:  spend a little more money and buy once.   A tripod isn’t the place I would try to cut corners.  You’ll only be frustrated when it breaks down on you and you have to buy another one.

 

Cable Release

 We have a joke in our family about Keith’s ability to kill a cable release.  We almost need to just have them regularly delievered to our home.  He thinks it’s the manufactuor, and I think it’s his passion in the field that puts the durability to the test.  Regardless,  having a cable release will allow you to not touch your camera at the point of capture so that you can get the sharpest image possible.

As a Fujifilm user, I’ll either use my 2 second timer, or I’ve downloaded their app and I can control the shutter with that.

 

Remove The Strap

 At least one point or another of nearly all of our tours, you’ll find Keith and I wrapping the camera strap of a guest around the tripod.  We do this so that the wind can’t capture the material and cause shake.

 

Check Your Settings

Having a system in the field is paramount to being sure you’re not missing anything.  Checking your ISO, aperture, exposure and focus should be a system you mentally walk through before you start your shoot.  When an extraordinary scene takes your breath away and the light is leaving, you may be inclined to just start shooting, but this could be a mistake that can cost you the experience.

 

Choosing The Right Aperture

 While in the field with beginners who are just starting to learn about aperture I tell them this: “Big scene, bigger number.  Small scene, smaller number”.  This is a deeply oversimplified statement, but it helps beginners to remember that a smaller aperture (larger number) will give them maximum sharpness.  All circumstances vary, but Keith and I tend to float somewhere between f/8 and f/11 for our landscapes.  When in doubt, go to F/11.

Today we’ve taken a high pass over some of the things we do in the field to get the sharpest images possible.  For more info, stay tuned to upcoming blog posts or come out and go on an adventure with us!  We’d love to have you!